| ABOUT US |
Carrie Brewer
Co-Artistic Director |
For
LCTC: Gloria (Gloria), Bold in 'er
Breeches (Anne), A Silent Exchange
(The Actress), Tea Before Honour (Mrs.
Elphinstone), Mrs. Garrud's Dojo (Gertrude),
'Twas Two to a Grave (Mary) & Trung
Sisters (Siren); Fight Director: Bold
in 'er Breeches, The Sign in the Scarlet
Prison, 'Twas Two to a Grave &
This Side of Paradise; Director: The
Sea Serpent & the Samurai's Daughter.
Carrie is the founder of LCTC and works as an
actor, teacher, fight director and stuntwoman.
Choreography credits: The Maids (NYU),
Hamlet and Ipigenia and Other Daughters
(Mount Holyoke College), MacBeth, As
You Like It, Phaedre, Becket,
Amphitryon, Unidentified Human Remains,
Ophelia's Opera, The Death of Arthur
(Gorilla Repertory Theatre). She trained Piper
Perabo in broadsword for George and the Dragon
and co-choreographed The Sirens of T.I.
(Treasure Island Casino, Las Vegas). Other acting
credits: The Comedy of Errors (Luciana)
and Odyssey (Athena/Calypso) with Aquila
Theatre Co., Travesties (Cecily) and
Habeas Corpus (Constance), The Three
Musketeers (Milady), Man of La Mancha
(Antonia) and Into the Woods (Rapunzel)
with CT Rep., Belle, Cinderella, & Meg (Original
cast Disney Cruise Line), and Queen Elizabeth
I (Utah Shakespeare Festival). Stunt work includes
Guiding Light. Carrie is on the stage
combat faculty at the American Musical and Dramatic
Academy and is a Guest Lecturer at NYU. |
Peter Hilton
Co-Artistic Director |
For
LCTC: Camilla (Poet), Mrs. Garrud's
Dojo (William), 'Twas Two to a Grave
(Charlie), Trung Sisters (To Dinh); Playwright:
Gloria (Genesius Guild Award for Most
Outstanding New Production 2001), A Silent
Exchange, A Double-edged Sword,
Camilla, Mrs. Garrud's Dojo,
Tea Before Honour, 'Twas Two to a
Grave, The Sea Serpent and the Samurai's
Daughter, Trung Sisters & Contestant
325; Director: Women-at-Arms Festival
2002, 2003 & 2004 (LA),
Tea Before Honour, The Lady Cavaliers:
Signature Stories. Peter holds an honors
degree in Classics from University College, London
and has lectured on the production of classical
theatre at the British Museum and US colleges
including Princeton, Stanford, UCLA, Yale, UT,
Penn State, USC and Berkley. Other acting credits
include Julius Caesar, King Lear,
Macbeth, The Odyssey, The
Iliad, Comedy of Errors, The
Birds, The Wasps, Agamemnon,
Les Misérables, Oklahoma!,
Medea, On the 20th Century,
Oliver!, The Final Revelation of
Sherlock Holmes, Plain and Fancy,
Grease, Guys and Dolls and One
for the Road. Peter is a member of The Dramatists
Guild of America, Inc. WWW.DRAMACONSULTANT.COM |
Bevin Kaye
Producer |
For
LCTC: Gloria (Maladie), Double-edged
Sword (Elizabeth), This Side of Paradise
(Lis), 'Twas Two to a Grave (Anne); Producer:
Gloria, Women-at-Arms 2002,
Women-at-Arms 2004 (LA). Bevin has produced
several shows in NYC including Bitch Buffet
at Don't Tell Mama and The Triad Theatre. Other
acting credits include Off-Broadway: Secrets
Every Smart Traveler Should Know. Regional:
Hayfever (Jackie), Dracula (Lucy),
A Christmas Carol (Belle), Kiss Me
Kate (Bianca), and The Three Pigs Opera
(Baby Pig). Bevin choreographed the swordplay
in The Sirens of T.I. (Treasure Island
Casino, Las Vegas). Bevin is based in Los Angeles
working as a stunt performer films include: Ang
Lee's The Hulk, Disney's Hidalgo,
Tim Burton's Big Fish (River Woman),
Katie Holmes' stunt double on First Daughter,
Judy Greers' stunt double on Wes Craven's Cursed,
and TV shows including CSI: Miami, Angel,
General Hospital, & The John
Henson Project. She trained as a stunt performer
with the United Stuntman's Association and is
a member of V10
Women's Sunt Professionals. |
Maggie Macdonald
Educational Director |
For LCTC: This Side of Paradise (Rachel),
A Silent Exchange (The Assistant), The
Sea Serpent and the Samurai's Daughter (Shogun,
Bandit), Trung Sisters (Trung Trac),
'Twas Two to a Grave (Mary); Producer:
Fighting the Clock at The Jean Cocteau
Theater. Maggie works as an actor, teacher, and
fight choreographer in NYC and is an advanced
actor combatant with the Society of American Fight
Directors (SAFD), who awarded her the "Examiner's
Award for Excellence" three times and the
top acting award twice in the last two years at
their national workshop. Other acting credits
include: Naked at the Gene Frankel Theater,
Romeo and Juliet (Juliet), Hogan's
Goat (Bessie Legg), and The Glass Menagerie
(Laura). Maggie graduated from The American Musical
and Dramatic Academy and is the Educational Director
for the Lady Cavalier Theater Company. |
Amanda Barron
Associate Artist |
For
LCTC: Gloria (Sapphire, Willow &
Ariel), Tea Before Honour (Caroline),
Mrs. Garrud's Dojo (Beatrice), A
Silent Exchange (The Assistant), Speech
to New York (Emmeline Pankhurst); Assistant
Director: Women-at-Arms Festival 2002.
Amanda has trained in Rapier, Rapier/Dagger, Smallsword,
Unarmed, Quarterstaff and Broadsword, and assists
teaching stage combat in NYC. Other acting credits
include: Off Broadway: Einstein's Dreams
(The Culture Project); Twelfth Night,
Much Ado About Nothing, The Rover
(Lincoln Center); The Changeling
(The Salon) all with the Holderness Theater Company
where she is also a member; Writing To Vermeer
(Lincoln Center); Living London / Hellmouth
(NY International Fringe Festival); Putzi's
Progress (Abingdon Theater); Terminal
(Vital Theater); Medeamaterial,
Destroy She Said (Schapiro Theater);
Carnality (Theater-Studio Inc).
Regional: Taming of the Shrew, 12th
Night, Merchant of Venice, Henry
IV Part I, Heroides (Shakespeare
and Company), The Unexpected Guest
(The Theater Barn). Film & T.V.: Angels
In America, Sex and the City, Bloom,
The Lovers, and Still Life which
was nominated for Best Short Film New York/Avignon
Film Festival. |
Angela Bonacasa
Associate Artist |
Angela
is a Certified Teacher with the Society of American
Fight Directors (SAFD), and is currently on staff
at Roosevelt University’s Chicago College
of Performing Arts and the Actors Gymnasium. She
has been a guest artist at several institutions,
including the North Carolina School of the Arts,
the University of Massachusetts, Amherst, and
Texas Tech University. She is a member of Chicago’s
Women’s Theatre Alliance and Stockyards
Theatre Project as well as New York’s Lady
Cavalier Theatre Company. Angela’s recent
directing credits include Henry IV, Part I
and Ophelia Thinks Harder. As a Fight
Director, she has worked in Chicago, New York,
and in theatres across the country on productions
including Romeo and Juliet, Othello,
Macbeth, Henry IV Part I, Richard
III, History of the Devil, Fuddy
Meers, and Cyrano de Bergerac. |
Barbara Brandt
Associate Artist |
For
LCTC: Mlle. Maupin (Countess), Death
Song (Antianeira), The Sign in the Scarlet
Prison (Grey); Choreographer: Mlle. Maupin.
Barbara has taught stage combat at Western Illinois
University, The American Musical and Dramatic
Academy, The Lincoln Amphitheatre, Horse Cave
Repertory Theatre and currently teaches for Swordplay!
in New York City. As a Fight Director, her work
has been seen in New York City at The Jean Cocteau
Rep, Theatre TenTen, and the Trinity Players Theatre
as well as many theatres regionally. Other acting
credits include: Duellists: The Forgotten
Champions (Mary Read) at Theatre TenTen,
The Three Musketeers (Anne of Austria)
at Arkansas Rep , MacBeth (Lady MacBeth),
Crimes of the Heart (Lenny), A Streetcar
Named Desire (Blanche) and The Taming
of the Shrew (Katherine). Barbara is also
a dance choreographer and her credits include
The Cradle Will Rock at the Jean Cocteau, the
first revival of Park Avenue at Theatre
TenTen and Oklahoma!, The Music Man,
and Big River at The Lincoln Amphitheatre.
Barbara holds an MFA in Acting from Western Illinois
University and is an Advanced Actor/Combatant
with the Society of American Fight Directors,
holding recognition in all eight weapons styles. |
Robert J. Hamilton
Associate Artist |
For
LCTC: Teetotum (The Duke); A Silent
Exchange (The Actor), 'Twas Two to a
Grave (Daniel Defoe), Mrs. Garrud's Dojo
(Peppermint Pete). Fight Director: 'Twas Two
to a Grave. While in New York, Robert taught
stage combat at The American Musical and Dramatic
Academy and worked on various theatrical, film
and television projects. He has an MFA from Temple
University and is an advanced Actor Combatant
with the Society of American Fight Directors (SAFD).
Robert recently relocated back to California,
where he heads the Stage Combat Department at
AMDA, LA in Hollywood. |

Marius Hanford
Associate Artist
|
For
LCTC: The Sea Serpent and the Samurai's Daughter
(Father, Sea Serpent); Fight Director: Trung
Sisters, Fighting the Clock. Marius
works as an actor and fight director in New York,
where he began his combat training with Fights
4. He is recognized as an "actor/combatant"
in all eight weapon disciplines by the Society
of American Fight Directors. Marius also teaches
and choreographs for schools and universities
in the New York area. |
Denise Alessandria Hurd
Associate Artist
& Company Dramaturg |
For
LCTC: Gloria (Birch, Donabella), A
Double-edged Sword (Maria), Lunch Hour
(Denise), Teetotum (Mirrabar), Death
Song (Hippolyte). Fight Director: Lunch
Hour. Denise works as an actor, a teacher,
a director and a choreographer and has appeared
at The Public in A Midsummer Nights Dream
and in numerous regional theaters around the country
playing Desdemona in Othello at the Theatre
in Monmouth, Maine, Electra in Orestes
and Tituba in The Crucible at Stagewest
in Massachusetts, Lady Fanciful in The Provok'd
Wife and Baba in Behind the Mask at
Theatre 1010, Mrs. Fainall in The Way Of The
World, at King's County Shakespeare Festival,
Elizabeth Heathcote in Innocent Diversions
for the Distilled Spirits Company, and as Tybalt
in Romeo and Juliet (which she also choreographed)
at Expanded Arts, all in New York. She was in
the resident company of the Orlando Shakespeare
Festival where she played Maria in Twelfth
Night and Alice and Gower in Henry V.
Denise is a Certified Teacher with the Society
of American Fight Directors (SAFD) and Company
Dramaturg for LCTC. |
Michael Jerome Johnson
Associate Artist |
For
LCTC: Mlle. Maupin (Jean de L'envers);
Fight Director: Mrs. Garrud's Dojo. Michael
is a Fight Director and Certified Teacher with
the Society of American Fight Directors (SAFD)
and a member of Fights4.
He has fight direction credits include: The Shakespeare
Theatre, Arena Stage, Double Helix Theatre, NAATCO/
Fluid Motion, Round House Theatre, Folger Shakespeare
Theatre, The Shakespeare Project, Theatre at Lime
Kiln, Woolly Mammoth Theatre Company, Ford's Theatre,
Delaware Theatre Company, and The Kennedy Center.
Teaching venues include: AMDA-NY, McDaniel College,
Georgetown University, American University, Catholic
University, National Conservatory of Dramatic
Arts, University of Maryland's Opera Studio, and
his alma mater, North Carolina School of the Arts.
Workshop credits include: the British Academy
of Stage and Screen Combat, the Summer Sling,
the Philly Cheese steak Workshop, TTW/SSISC, the
March Madness Workshop, the Winter Wonderland
Workshop, and the Paddy Crean Workshop. As an
actor, Michael has performed at various regional
theatres, on tour, on television and in feature
films. He was also a stunt double for A Man
Called Hawk. |
Laura Napoli
Associate Artist |
For
LCTC: The Sign in the Scarlet Prison
(Scarlet) and A Silent Exchange (The
Director). Other lead roles include: Bea’s
Nest (Karen) at Judith Anderson Theatre,
The Miracle Worker (Annie Sullivan) at
Barn Theatre, Harriet the Spy (Harriet)
at The Growing Stage, the films Aberrations
and Death for Sale, and the educational
video, Teen/Adult Conflicts: Working It Out,
which the Council on International Non-theatrical
Events (CINE) honored with a Golden Eagle Award.
She fenced and served as co-captain for the Barnard/Columbia
Varsity Fencing Team as a member of their first
ever women’s sabre squad (best finish -
16th at the 2000 NCAA’s) while earning her
BA cum laude from Barnard in English/Dramaturgy.
Laura has taught stage combat at NYU Graduate
School of Acting, Columbia Graduate School of
Acting, The Public Theater’s Shakespeare
Lab, Stella Adler Studio, and biz kids n.y. inc.
As a comedienne she appears with the improv/sketch
group, The Fifth Dentist and with the political
satire group, Gross National Product. Other affiliations:
The Growing Stage, 12 Miles West Theatre Company,
and the Grammy-nominated group, The Incredible
Dollface (recently featured on Dollface’s
newest album “Stage Brats.”) Laura
currently lives in LA. |
Judi Lewis Ockler
Associate Artist |
For
LCTC: Gloria (Carmela), Bold in 'er
Breeches (Mary Read), Teetotum (Aleen),
Death Song (Molpadia), A Silent Exchange
(The Director), Mrs. Garrud's Dojo (Mrs.
Edith Garrud), This Side of Paradise
(Jen). Judi is a three time certified actress/
combatant with the SAFD, twice with recommendation
and attended the inaugural International Stage
Combat workshop, where she was the only woman
to recommend with the British, American, and Canadian
fight societies. Teaching credits include American
Musical & Dramatic Academy, Mount Holyoke
College and The School for Film and Television
(NYC). She has also been fight captain and assistant
to Doug Mumaw, David Woolley, and Chris Ockler.
Other acting credits include: Corie Bratter in
Barefoot in the Park (Amateur Comedy
Club, New York), Phebe in As You Like It
(Princeton Repertory Company), Peter Pan
(New American Theater, Pennsylvania Youth Theater),
To Kill a Mockingbird (New American Theater),
and The Three Musketeers (Lexington Opera
House). She is also co-creator of ANTICS, INC!,
an interactive entertainment company. |

Laurie Miller Petersen
Associate Artist |
For
LCTC: Fight Director: This Side of Paradise,
The Sea Serpent and the Samurai's Daughter,
Fighting the Clock. Laurie is co-founder
of Fight
Builders, a fight directing company dedicated
to excellence in stage combat. Laurie and co-founder
Edward J. Wheeler direct fights and action sequences
for film, television and stage, and teach stage
combat at all levels. Laurie also works as a stuntwoman
and has stunt coordination and performance credits
ranging from outdoor theatre to science fiction
films, Children’s theatre to Opera. Most
recent credits include: The Dueling Accountant
(feature film), Sleepless Nights,
As the World Turns, FOX Files and Sightings,
Common Saints (TV pilot), Breath,
Boom (Yale Rep), Carmen, Rikki-Tikki
Tavi. Teaching venues: Yale Rep, NYU Tisch
School of the arts, Vital Theater Summer Arts
Program, Camp Broadway, Vital Voices, Manhattan
School of Music, Brooklyn Poly-Tech, Northern
Westchester Center for the Arts, Wing Span Arts
and ASC. Laurie is the resident fight director
for Mercury Opera and MCT and an Awarded Advanced
Actor Combatant with the SAFD. |
Ricki G. Ravitts
Associate Artist
|
For
LCTC: Mlle. Maupin (Maupin), Mrs.
Garrud's Dojo (Mrs. Edith Garrud) & Contestant
325 (Helene Mayer); Fight Director: A
Silent Exchange, Mlle. Maupin; Playwright:
Mlle. Maupin. Ricki works as an actress,
playwright, Fight director and teacher. Fight
direction includes: The Lucky Chance,
Femme Fatale, Woyzeck, Romeo
and Juliet, The Garden of Torment,
Macbeth, Shake Battle and Roll,
Hamlet & Duellists: The Forgotten
Champions (Mlle. Maupin). Other acting credits
include: Three Musketeers (Milady), Taming
of the Shrew (Kate), Little Foxes
(Regina), Candide (The Old Lady), Belle
of Amherst, Agnes (Dancing at Lughnasa),
Romeo & Juliet (Mercutio), Private
Lives (Amanda), Much Ado About Nothing
(Beatrice), Cat on a Hot Tin Roof (Maggie),
And a Nightingale Sang (Helen), and Behind
The Mask (Lydia). Teaching venues: Fights4,
Swordplay, Summer Sling NYC, Int'l Stage Combat
Workshop-London & Tucson, Private classes.
Guest instructor: Oberlin, Yale, NYU, Vassar,
AMDA. Ricki is a member of the Dramatists Guild
and a certified Fight Director with the Society
of American Fight Directors. |

Nandita Shenoy
Associate Artist |
For
LCTC: Trung Sisters (Trung Nhi), A
Silent Exchange (The Director); Director:
Dark Night of the Soul. Nandita is an
actor, director, and choreographer. Other New
York credits include Sex in Other People’s
Houses (Lark Theatre), Sheba (Jewish
Rep), President Harding Is A Rock Star
(HERE Arts Center), Match (Lincoln Center
Directors’ Lab), and Desipina’s 7-11
Convenience Theater. Dance credits include
“Topsy” on the 1st National Tour of
The King & I and “Eliza”
in subsequent regional productions as well as
West Side Story (Tennessee Rep) and Grease
(Kansas City Starlight). Currently, she is an
associated artist with CSW
Associates. Recent directing credits include
the fall tour of Junie B. Jones for Theatreworks/USA.
BA in English Literature, Yale University. |
Mark Silence
Associate Artist
|
For
LCTC: Mlle. Maupin (Antoine Marsal),
'Twas Two to a Grave (Daniel Defoe),
A Silent Exchange (The Actor), Trung
Sisters (Guard), Mrs. Garrud's Dojo
(Creighton); Fight Director: Death Song.
He has choreographed and performed fights throughout
the US and, as an actor, has recently been seen
in The Three Musketeers in Salt Lake
City, Gross Indecency: The Three Trials of
Oscar Wilde in San Francisco and The
Compleat Wrks of Wlm. Shkspr, abridged in
Maine. Mark is the head of the Stage Combat Department
at the American Musical & Dramatic Academy
(NYC). |
Carey
Van Dreist
Associate
Artist |
For
LCTC: Gloria (Oak), A Double-edged
sword (Charlotte), A Silent Exchange
(The Assistant), This Side of Paradise
(Lis). Other acting credits include: Off Broadway;
The Importance of Being Earnest (Gwendolyn),
Arms and the Man (Louca), The Marriage
of Figaro (Cherubin) with the Jean Cocteau
Repertory. Off-off-Broadway: Henry VI, Parts
II, III (Judith Shakespeare Company). Regional:
The Threepenny Opera (Jenny Diver), Dancing
at Lughnasa (Chrissie) and Come Blow
Your Horn (Connie). Carey has also performed
a lead role in the workshop production of Robin
Hood, Martin Charnin’s new musical
version of the updated legend and a musical version
of A Tale of Two Cites. |
Christi
Waldon
Associate
Artist |
For
LCTC: Vote! (Theological Parrot).
Christi works as an actor, teacher, and fight
choreographer in NYC and is an Advanced Actor/Combatant
with the Society of American Fight Directors (SAFD)
who awarded her the "Examiner's Award for
Excellence" three times. Other acting
credits include: Off Broadway: Merchant
of Venice and The Winter's Tale
(Producer's Club II) with Wooden O' Productions,
The Just (WOW Theatre) with Twenty Percent
Theatre Company, Walk in Darkness (Theatre
Studios Inc.), Drowning in Denmark (Center
Stage) with Vampire Cowboys Theatre Company. Regional:
Anton in Show Business (Midtown Arts
Center), Blueness/Grayness which was
part of the Edward Albee New Playwright Workshop
(Stages Repertory Theatre), and Titus Andronicus
(Templo Arts Center) with Dos Chicas Productions. Film
and T.V.: The Narrow Gate,
Law and Order, Candyflipping,
and a PSA entitled Black History Month
for VH1. Choreography credits: Magenta
of Open All Night hosted by John Patrick
Shanley, Romeo and Juliet, Speed
the Plow, and The Homelife of Ninjas
at Galapagos Art Space. Christi graduated
cum laude with a Bachelor of Arts from the University
of Houston. |
|
|
|